The play follows a single, lonely, marginalized person – a tramp – who does not say words, but still speaks to us: with his body, his movements, his glances.
This performance consciously gives a name and a voice to those who are mostly anonymous and invisible in the real world: the homeless, the outcasts, the "nothing" people.
Nacho Rey's street theatre performance speaks with sensitive, subtle means about empathy and forgotten human dignity.